BIOC3002!!!

Yayyy!!! One of the toughest paper down! Okay lar, all are tough... WAS having quite high expectations for this, like a 6? Felt qqquuiiiiiteeeee prepared until the like 2am when i suddenly feel i hadnt studied enough, but too late to do anything la, so went to sleep and prepare for the morning. Cant believe i woke up at 5+ and saw the sky being so blardy bright, i was like shittttttttt?! late?! when it wss 5+ hurh. Special thanks to Terrence and Michelle for the morning call, paiseh, abit paranoid la, being late for exams isnt that UNcommon for me. =X

The system is kinda weird though, like we gotta queue up and take a seat number as if we are going for a movie or something. Then i got assigned to 39... almost couldnt find my seat, hah, so paiseh, it was alllllllllllllllll the way at the back. Thenn there this little portion where we write out full name and sign and the best thing is, we had to fold it down and LICK THE GLUE-ish part, so we HAD like 5 booklets and gotta lick ALLLL of them. -_-!!! Dont know whats with the secrecy lor, might as well just leave out the names and based it on student number will do... lick and seal, for whats the purpose leh?! Never been so malu-ed in my entire exams life, like i was the LASSTT to hand in my paper and gotta lick my booklet with the examiner beside me, cos apparently we had to separate everything into 5booklets, and i din, and i still gotta hand in the empty booklets and explain why.

Felt that the paper was alright, cos most qns were like recycled. BBUT... when i know how to do and yet cant finish, thats the worst worst worst thing ever. its like 120 blardy marks in 2hrs. 1min/mark!? Dont need to think or even read one meh?! And the questions comes in like 5-10marks like that. ARGH. Soo... highly doubtful i will hit a SIX for this la. praying hard~~~ but quite impossible. when i have like so many uncompleted questions.

Very long entry leh. When i should be studying for the BIOT2002!!! *smacks self*

http://www.humanmetrics.com/cgi-win/JTypes3.asp

Your Type is
ISFP
Introverted Sensing Feeling Perceiving
Strength of the preferences %
22 50 25 56

You are:
slightly expressed introvert
moderately expressed sensing personality
moderately expressed feeling personality
moderately expressed perceiving personality

More than the other Artisans, Composers are in tune with their senses, and so have a sure grasp of what belongs, and what doesn't belong, in all kinds of works of art. While the other Artisans are skilled with people, tools, and entertainment, Composers have an exceptional ability-seemingly inborn-to work with subtle differences in color, tone, texture, aroma, and flavor.

Although Composers often put long, lonely hours into their artistry, they are just as impulsive as the other Artisans. They do not wait to consider their moves; rather, they act in the here and now, with little or no planning or preparation. Composers are seized by the act of artistic composition, as if caught up in a whirlwind. The act is their master, not the reverse. Composers paint or sculpt, they dance or skate, they write melodies or make recipes-or whatever-simply because they must. They climb the mountain because it is there.

This ability to lose themselves in action accounts for the spectacular individual accomplishments of some Composers, and yet on their social side they show a kindness unmatched by all the other types. Composers are especially sensitive to the pain and suffering of others, and they sympathize freely with the sufferer. Some have a remarkable way with young children, almost as if there were a natural bond of sympathy and trust between them. A similar bond may be seen between some Composers and animals, even wild animals. Many Composers have an instinctive longing for the wilds, and nature seems to welcome them.

Composers are just as plentiful as the other Artisans, say nine or ten per cent of the population, but in general they are very difficult to observe and thus greatly misunderstood. Very likely the difficulty comes from their tendency not to express themselves verbally, but through their works of art. Composers are usually not interested in developing ability in public speaking, or even in the art of conversation; they prefer to feel the pulse of life by touch, in the muscles, in the eyes, in the ears, on the tongue. Make no mistake, Composers are just as interested as other types in sharing their view of the world, and if they find a medium of non-verbal communication-some art form-then they will express their character quite eloquently. If not, they simply remain unknown, their quietness leaving their character all but invisible.

Bob Dylan, Jackie Kennedy Onassis, Cher, Wolfgang Amadeus Mozart, Mel Brooks, Steven Spielberg, and Neil Simon are examples of a Composer Artisans.


*claps if u are reading till now... wah lau eh, i'm sooooo not artistic leh?!*

Another review... if you are thaaaaaaaaaat curious...

ISFPs are the first to hear the different drummer. Many eagerly plunge into new fashions, avant garde experiences, 'hip' trends--some even setting the trends.

More in touch with the reality of their senses than their INFP counterparts, ISFPs live in the here and now. Their impulses yearn to be free, and are often loosed when others least expect it. The ISFP who continually represses these impulses feels 'dead inside' and may eventually cut and run. (One ISFP friend has become nonambulatory within the past few years. He will still, on impulse, leave home in the middle of the night and go to Las Vegas or wherever, regardless of the difficulties of his physical condition.)

ISFPs may be quite charming and ingratiating on first acquaintance, flowing with compliments which may (or may not) be deserved. On other occasions, the same individual may be aloof and detached. Some ISFP males are fiercely competitive, especially in sport or table games, and may have great difficulty losing. This competitive nature, also seen in other SP types, sometimes fosters 'lucky,' 'gut' feelings and a willingness to take risks.

Organized education is difficult for the majority of ISFPs, and many drop out before finishing secondary education. Their interest can be held better through experiential learning, at which many excel. ISFPs will practice playing an instrument or honing a favored skill for hours on end, not so much as practice as for the joy of the experience.

Differential diagnosis:
ISFPs are less fantasy-oriented than INFPs. These types are often confused, however, INFPs lean strongly to daydreams, poetry, prose and more philosophical pursuits; ISFPs often live out 'id' experiences rather than writing or even talking about them.

ISFJs are driven by the conventional, by 'should's and 'ought's; ISFPs internalize their Feeling (by nature a judging function) which bursts out spontaneously and leaves as quickly and mysteriously as it came.

Because of these variant expressions of Feeling judgement, ISFPs are sometimes confused with ESFJs, but keep themselves more aloof, more often concealing the feelings that ESFJs are so apt to expose.

ESFPs express thoughts more readily (and, in the main, skillfully). ISFPs can and do perform admirably in the spotlight, but generally have little to say about the performance. For example, few ISFPs would be disc-jockeys, a field strongly represented by ES_Ps.

Functional Analysis:

Introverted Feeling
Feeling, unbridled by the external forces of society and substance, is the dominant function. ISFPs spontaneously develop their own codes and credos, about which they are quite sober and intense. ISFPs are questors, driven to find the pure and ideal, as personally and individually defined. Feeling may temporarily turn outward, but cannot be long sustained beyond its cloistered home.

If the individual has values greater than herself, feeling may express itself in valiant acts of selflessness. Turned in upon self, however, it becomes an unscrupulous, capricious enigma, capable even of heinous acts of deception and treachery.

Extraverted Sensing
ISFPs keep a finger on the pulse of here and now. They are more adept at doing than considering, at acting than reflecting, at tasting than wondering. As do most SPs, ISFPs keenly sense color, sound, texture, and movement. It is not unusual for ISFPs to excel in sensory, motor, or kinesthetic abilities.

ISFPs cherish their impulses. Some of the most beautiful, graceful, and artistic performances are the result of this drive for physical, sensate expression.

Introverted iNtuition
Tertiary intuition works best in the background of the ISFP's inner world. Perhaps this is the source of the "gut feeling" SPs consult in matters of chance. However "lucky" the ISFP may be, intuition as a means of communication is a poor servant, evidenced in spoonerisms, and non sequiturs and mixed metaphors.

Extraverted Thinking
The ISFP may employ Extraverted Thinking in external situations requiring closure. As is the case with inferior functions, such Thinking behaves in an all or nothing manner. Thus, as with other FP types, the ISFP's Extraverted Thinking is at risk for a lack of context and proportion. In most cases, persons of this type enjoy greater facility operating in the open-ended style of sensing, implying the opinions of feeling values in the indirect fashion characteristic of introverted functions.

Famous ISFPs:
Marie Antoinette
Auguste Rodin

U.S. Presidents
Ulysses S. Grant
Millard Fillmore, "The American Louis Philippe"
Warren G. Harding
Fred Astaire
Marilyn Monroe
Liberace
Elizabeth Taylor
Yogi Berra, professional baseball player ("It's deja vu all over again.")
Dan Rather
Orrin Hatch, U.S. Senator
Ervin "Magic" Johnson, NBA basketball star
Patrick Duffey
Dan Quayle, U.S. Vice President, 1988-1992
Paul McCartney
Christopher Reeve
Michael Jackson
Kevin Costner
Greg Louganis, U.S. Olympic gold medalist
Brooke Shields
Britney Spears
John Travolta
Ashton Kutcher
Donald Trump